Hildy (Rosalind Russell) bribes her way into a jailhouse interview with convicted murderer Earl (John Qualen) and convinces him to change his testimony.
The second screen version of the Ben Hecht/Charles MacArthur play The Front Page, His Girl Friday changed hard-driving newspaper reporter Hildy Johnson from a man to a woman, transforming the story into a scintillating battle of the sexes. Rosalind Russell plays Hildy, about to foresake journalism for marriage to cloddish Bruce Baldwin (Ralph Bellamy). Cary Grant plays Walter Burns, Hildy’s editor and ex-husband, who feigns happiness about her impending marriage as a ploy to win her back. The ace up Walter’s sleeve is a late-breaking news story concerning the impending execution of anarchist Earl Williams (John Qualen), a blatant example of political chicanery that Hildy can’t pass up. The story gets hotter when Williams escapes and is hidden from the cops by Hildy and Walter–right in the prison pressroom. His Girl Friday may well be the fastest comedy of the 1930s, with kaleidoscope action, instantaneous plot twists, and overlapping dialogue. And if you listen closely, you’ll hear a couple of “in” jokes, one concerning Cary Grant’s real name (Archie Leach), and another poking fun at Ralph Bellamy’s patented “poor sap” screen image. Subsequent versions of The Front Page included Billy Wilder’s 1974 adaptation, which restored Hildy Johnson’s manhood in the form of Jack Lemmon, and 1988’s Switching Channels, which cast Burt Reynolds in the Walter Burns role and Kathleen Turner as the Hildy Johnson counterpart.
TM & © Public Domain (1940)
Cast: John Qualen, Pat West, Rosalind Russell
Director: Howard Hawks
Producer: Howard Hawks
Screenwriters: Ben Hecht, Charles MacArthur, Charles Lederer